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The only real difference is that Van Wilder is a much more raunchy movie than Real Genius. I think I even mentioned this in my review of Real Genius. The first thing I noticed about this movie is how much Reynolds' performance in this movie reminds me of Val Kilmer's performance in Real Genius.
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Thought it'd be interesting to revisit this movie as I did another Reynolds movie (Waiting) last week. I never did, I always thought he was really talented and funny and I think that I became a fan of his, back in the day at least, as a result of this movie, which I actually bought when I was 14. And I remember a time, pre-Deadpool, where a lot of people (on the internet, of course) hated Reynolds. With that said, this is very much the movie that introduced Ryan Reynolds to the world. Ryan Reynolds may never win an Oscar, but he already has the role and/or character of a lifetime and that is Deadpool and, you know what, to me, that's cooler than winning an Oscar. Like, seriously, it was apparent from day one, there IS no one else to play this character. Another thing is the fact, and this isn't even related to the movie itself, that Ryan Reynolds was absolutely born to play Deadpool. But, really, this movie predates all the craziness that would go down. Tara Reid has been her own worst enemy in terms of her career. Part of that is her clear lack of talent, but I think she's clearly not the best person to have on set, she seems like she's not that stable even at the best of times.
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I think Tara, at this point in time at least, didn't really bother to improve since she was, really, only cast because she was hot, so why would you need to learn to be good at something when you're only cast for your looks? That's why, outside of the Sharknado franchise, you don't really see Tara in many movies anymore. Ashton Kutcher and Tara, in that movie, were one of the worst rom-com pairings I've ever seen. If any of you have ever seen My Boss's Daughter then you've bared witness to how awful she can be. Not that anyone has ever claimed that she's good, I just feel the need to point this out. And, really, let's not put a gender on this, Tara Reid is one of the worst actors, male or female, that I have ever seen. version has drifted toward more comedic touches that give the show a lighter, more upbeat feel without detracting from its core concept.You know, I don't know if I've mentioned this before, I know I have on one review that's on RottenTomatoes, said review is not up on Letterboxd, but I legitimately think that Tara Reid is one of the worst actresses I have ever seen, bar none. version was almost always painfully uncomfortable, the U.S. About the show, Blogcritic Caballero Oscuro writes, "In short, while the U.K. Have you gotten a call from Dwight? Check out some clips from The Office: Season 2 DVD: "The Fight" ( lo| med| hi) and "The Fire" ( lo| med| hi). The first three minutes of the film can be seen here: Blogcritic Megan Giddings of the Modern Pea Pod writes, "Never before have I seen such an artistic basketball game (on film or otherwise)." Written and directed by David Branin, the film stars Tyshawn Bryant and Daniel Sol. It's the story of two men playing a basketball game of 1-on-1… to the death! It recently made the cover of Hoops Magazine and has been featured at Streetballin. Until now, the critically acclaimed film Shoot-Out has only been available at film festivals and on DVD. Jonny Lives! bring their Brit-Pop-meets-Lower East Side-rock sound to the soundtrack for National Lampoon's Van Wilder: The Rise of Taj with party anthem " Get Steady." The video, co–directed by the film's director, Mort Nathan and star Kal Penn ( Van Wilder, Harold & Kumar Go To White Castle) is a "Hot For Teacher" meets "Good Mornin' Little Schoolgirl" visual-mash-up-gone-wild. Enter the contest to win a copy of the soundtrack! His original song " Wanted" features Samantha Ronson and is only available on the Half Nelson soundtrack. From Kanye West to Twista and to Common, Rhymefest is known to have one of the mightiest mouths in the gritty city. Hailing from the Windy City, Rhymefest emerges as one of the most talented hip-hop artists in Chicago. The album is a companion to A Guide to Recognizing Your Saints as the semi-autobiographical subject matter of the songs take place after the time period in which the film was set. The album will be available through all digital retailers.
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The 15-track release follows Montiel's success with A Guide to Recognizing Your Saints, a fictionalized account of his life that he made into a book in 2003 and an award-winning independent film currently in theaters. Dito Montiel, lead singer of the '90s band Gutterboy, returns with his self-titled solo debut.